Category: denim

  • Oldest Pair Of Jeans – Want To Have A Look ?

    Update: As pointed out by Adriana of Deniminstitute  in comments , the oldest pair of jeans is actually from the 1880s and Levi’s bought it at USD 46,532/– . Thanks Adriana
    Just came across this interesting video on youtube regarding the oldest jeans available – a jeans belonging to the year 1890. Levi’s wanted to reclaim their jeans and bought it in 1997 at USD 25000/- . I am sure it would worth much more now..

    So, the lesson is – don’t throw away your old jeans !

    PS: Its interesting to note how the innovation of a  small rivet made a huge difference to the selling of jeans and made millions for the owners of Levi’s.

  • Denim Constructions

    Here are some typical denim grey fabric constructions

    Weave: twill 3/1 Z

    3/1 Denim Fabric Constructions

    Warp(ends/cm) Weft(ends/cm) Warp Tex Weft Tex Weave
    24 16 7 84 6 98 3/1
    25 16 7 84 6 98  
    24 16 7 84 5.5 107  
    20.8 15.5 7.4 80 6 98  
    27 19 7.5 78 6.7 88  
    24 17 7 84 6 98  
    23 15 11 8.5 11.8 50  
    23 16.5 7 84 7 84  
    24.6 16.5 6 98 7 84  
    30 18 8.6 71 7 84  
    25 26 7 84 5.5 107  
    26 21 11.8 50 11.8 50  
    22.8 16.5 6.7 88 6.7 88  
    25 18 7 84 7 84  
    27 18 7 84 5.5 107  
                 

     

    Chambray Fabrics – Weave :Plain or 2/1

    Warp Weft Warp Tex Weft Tex Weave
    24 20 24 25 24 25 1/1
    27 16 24 25 24 25 1/1
    21 12 12 49 12 49 1/1
    23 16 12 49 14 42 1/1
    25 15 9 66 7 84 1/2
    23.3 16 16 37 12 50 1/2
    25 16 16 37 16 37 1/2
    25 15 9 66 12 50 1/1
    23 19 20 30 20 30 1/1

     

    Denim with stripes

    Combination twill 3/1, plain 1/1 whipcord. Possibilities to achieve different fabric appearance.

    clip_image002clip_image003

    clip_image004clip_image005

       Stripes twill 2/1 + ½             Stripes twill 2/1 + plain

    clip_image006clip_image007

       Whipcord narrow strips       Whipcord weave strips

    Fancy fabric woven on dobby

    (fig. 3 + 5 woven on tappets) by inserting Lurex or count. Viscose filament in weft

    clip_image009clip_image010

    Fig. 1                                                 Fig. 2

    clip_image011clip_image012

    Fig. 3 Reversal drafting           Fig. 4 Fancy drafting

    clip_image013clip_image014

    Fig. 5 Broken drafting                Fig. 6

    Effects are achieved with multicolor WM and warp beam in high pos.

    clip_image016

    About the author: Adnan is a textile engineer and working with a reputed denim garment company in Pakistan.He is looking after new denim developments.

  • LATENT DEFECTS in DENIM FABRICS

    This is  guest post by Harry Mercer

    Latent defects are ones that are not apparent in finished denim fabrics, but will appear after garment laundering. They are usually a result of procedures in denim sizing, dyeing and finishing that interfere with garment processing or cause spots, holes or streaks in garments. The most well-known is garment seam twist which results from incorrect skew adjustment.

    Holes :

    image These result from weak places in the fabric, often where knots are in the fabric from repairing broken yarns in spinning or weaving. The problem occurs often in fabric that was re-finished, especially fabric re-Sanforized in order to correct shrinkage or skew. Fabric that has been re-finished has lower strength, inferior hand and a different washed appearance. For that reason, re-finished denim should not be mixed with denim finished only once and re-finished denim should not be sent to demanding customers.

    Spots : 

    These are usually caused by chemicals used in finishing or sizing that are not easily removed by laundry de-sizing or are not soluble and precipitate in garment de-sizing and re-deposit on the garments. Mineral oils, some cationic compounds, polyvinyl alcohol and other compounds often cause these problems. Chemicals that cause spots can be analyzed for their chemical composition and chemical treatments can be devised to correct these problems in the laundry. Also, the fabric supplier can be requested to cease using offensive products.

    Alternating Light and Dark Streaks :

    When an Indigo dyeing machine stops for more than a few minutes, the yarn that is immersed in the dye boxes will over-reduce and appear as light streaks after garment laundering. The yarns that are in the airing sections after the dye boxes will appear as dark streaks after laundering. The fabric producer can segregate this problem by identifying the yarn that was in the machine during the stop from just after the pre-wet section though the end of the drying section. The standard procedure of submitting a small washed sample of a fabric roll will not allow prediction of the presence of this type of streaking because the sample is taken from one end of a fabric roll and does not represent the appearance of the entire roll. These streaks appear and disappear in the fabric. For that reason, yarn that is involved in an Indigo machine stop should be segregated. The yarn from a machine stop produces such low quality fabric that it is almost not worth weaving. The causes of machine stops need to be rigorously investigated and action taken to eliminate them.

    Crack Marks:

    These are light streaks that usually appear in garments that do not follow warp yarns. These have often been caused by the use of acrylic hand-builders that result in very inflexible fabric. When the garment is entered into the washing machine, the acrylic film breaks forming a crack and the garment fades more along the area of the crack.

    Sudden Shade Difference After Laundering :

    After garment laundering a single leg panel, for example, will have 2 completely different shades, 1 light and the other dark, with a distinct, sharp break in color. This results when Indigo-dyed fabric is located on drying cylinders when the finishing machine stops for more than about 5 minutes. Applying high temperature to Indigo for long periods causes the Indigo in the deepest part of the yarn to sublime or evaporate and after surface Indigo is removed in laundering, the fabric part that was on the drying cylinders will be lighter. Therefore, this can not be seen in the original fabric.

    Sizing Spots or Streaks:

    Basic laundry de-sizing procedures are used to de-size carbohydrate-based sizes like starch or guar gums. Polyvinyl alcohol sizes can be more difficult to remove, especially from yarn that was over-dried in sizing. If not completely removed, polyvinyl alcohol can react with hypochlorite bleaches and result in permanent spots or streaks.

    image This is a guest post by Harry Mercer.Mr. Mercer has 30 years experience in the denim business including 3 prominent U.S. denim companies. He is an expert colorist for measurement and color matching as well as textile testing.

  • Acidic Damage in the Sulfur-Black Dyeing of Denim

    This is a guest post by Harry Mercer. His brief bio is given below the post.

    Dyeing of denim yarns and fabrics with sulfur black can present a number of problems that affect fabric profit margins as well as the quality and performance of black jeans. Problems include :

    • Dye waste (normally 50% or more in washing after dyeing
    • Color variation after garment laundering
    • Lower weaving efficiencies with black yarns
    • Contact dermatitis etc. All of these problems were solved in the past, unfortunately the technical expertise in using sulfur black has greatly diminished in recent decades.

    One of the most easily correctable problems is related to acid-damage to black yarns and fabrics, which results from the generation of a sulfur-based acid, possibly sulfuric acid. This results when the pH of the black-dyed cotton is too low to buffer this acid before they can attack the cellulose chain of cotton fibers. Sulfur black-dyed materials are unusual in that they should have a pH of around 11, after dyeing and before the cotton is dried. If significantly lower, the acid generated will result in lower fabric strength or higher yarn-breakage rates during weaving.

    Damage Resulting from Chemical Oxidation of Sulfur Black

    Sulfur dyes belong to the class of dyes known as “vats”. Vat dyes are insoluble in water and cannot be carried by water into fibers until made water-soluble. Solubility of vat dyes requires that they be first chemically reduced. The reduced dye enters the fiber where it must be oxidized to form the originally insoluble dye. Once made insoluble again, the dye is mechanically trapped inside the fiber.

    The chemical oxidation of most sulfur colors can be carried out with agents such as hydrogen peroxide or sodium bromate. Chemical oxidation of these dyes must be conducted at a low pH(4.5-5.5), which requires that an acid be incorporated. For sulfur colors other than black , including greys, browns, blues, violets, greens, turquoises etc., acidic chemical oxidation is necessary to produce bright, consistent and colorfast shades.

    Sulfur blacks are an important exception to this. As a rule, sulfur blacks should not be chemically oxidized. There are 2 reasons for this:

    • First, lowering the pH of a sulfur black with acid will result in the liberation of a strong, sulfuric-type acid that will attack the cotton cellulose.
    • Secondly, if sulfur black dyes directly contact acids directly, there will be a release of dangerous hydrogen sulfide gas.

    This occurs often on continuous yarn or fabric dyeing machines used for denim. Water in the the wash boxes after dyeing become heavily contaminated with sulfur dye, which is often carried over into the acidic oxidation box causing the reaction that releases the gas.

    There is a rule-of-thumb regarding how easily a vat dye can be oxidized: if a dye is easy to reduce, it is difficult to oxidize; conversely, if difficult to reduce, easy to oxidize. Sulfur blacks require high temperatures (85-90ËšC) for reduction, while all other sulfur colors can be successfully reduced and applied at temperatures as low as 30ËšC.

    Since they are difficult to reduce, sulfur blacks can be readily oxidized by atmospheric oxygen, in the same manner as Indigo, i.e., by passing the yarn or fabric through air. If the time between the dye box and the 1st washing is adequate to allow the cotton temperature to cool to 40ËšC, oxidation will be complete. The first washing should be conducted with cold or warm water since hot washing will promote re-reduction of the dye, resulting in unnecessary dye loss and inconsistent color.

    Oxidation of Sulfur Blacks in Batch Equipment

    In sulfur black dyeing in batch processes, air oxidation can be conducted on sulfur blacks after dropping the dye bath and circulating the fabric through air before washing. In package dyeing equipment, a compressed air line can be installed that is used to force air from the inside of the yarn package to the outside. In garment machines, uniform air oxidation is difficult and chemical oxidation of sulfur black may be the only option. However, hydrogen peroxide should not be used for sulfur blacks, this would result in a loss of colorfastness. This is probably because the huge sulfur black molecule is broken down into shorter units by peroxides which have less resistance to washing. If chemical oxidation is necessary, then a milder oxidizer such as sodium bromate should be used. After oxidation, the sulfur black dyed material should be buffered to a pH of 11.

    A good laboratory predictor of potential strength loss in storage is AATCC Test Method # 26:

    Ageing of Sulfur-Dyed Textiles: Accelerated

    A sulfur black-dyed sample of fabric or yarn is placed in a chamber where it is exposed to heat and humidity and dried. The material is allowed to condition and is tested in order to determine strength loss after ageing. The method can be demonstrated simply by placing a sample in a forced-draft oven with about 500 cc’s of water and removing it about 30 minutes after all the water has evaporated.

    harry mercer denim consultant This is a guest post by Harry Mercer.Mr. Mercer has 30 years experience in the denim business including 3 prominent U.S. denim companies. Also, as a result of being the laboratory manager of the American Association of Textile Colorists and Chemists (1986-1989, he is an expert colorist for measurement and color matching as well as textile testing.

  • Dyes Used For Denim Dyeing – A Description

     

    This is a technical writeup on various types of dyes used in Denim Dyeing by one of our guest writers – Adnan

    Indigo Dyes

    Background

    Indigo, or indigotin, is a dyestuff originally extracted from the varieties of the indigo and woad plants. Indigo was known throughout the ancient world for its ability to color fabrics a deep blue. Egyptian artifacts suggest that indigo was employed as early as 1600 B.C. and it has been found in Africa, India, Indonesia, and China.

    The dye imparts a brilliant blue hue to fabric. In the dying process, cotton and linen threads are usually soaked and dried 15-20 times. By comparison, silk threads must be died over 40 times. After dyeing, the yarn may be sun dried to deepen the color. Indigo is unique in its ability to impart surface color while only partially penetrating fibers. When yarn dyed with indigo is untwisted, it can be seen that the inner layers remain uncolored. The dye also fades to give a characteristic worn look and for this reason it is commonly used to color denim. Originally extracted from plants, today indigo is synthetically produced on an industrial scale. It is most commonly sold as either a 100% powder or as a 20% solution.

    History

    The name indigo comes from the Roman term indicum, which means a product of India. This is somewhat of a misnomer since the plant is grown in many areas of the world, including Asia, Java, Japan, and Central America. Another ancient term for the dye is nil from which the Arabic term for blue, al-nil, is derived. The English word aniline comes from the same source.

    The dye can be extracted from several plants, but historically the indigo plant was the most commonly used because it is was more widely available. It belongs to the legume family and over three hundred species have been identified. Indigo tinctoria and I. suifruticosa are the most common. In ancient times, indigo was a precious commodity because plant leaves contain only about small amount of the dye (about 2-4%). Therefore, a large number of plants are required to produce a significant quantity of dye. Indigo plantations were founded in many parts of the world to ensure a controlled supply.

    Demand for indigo dramatically increased during the industrial revolution, in part due to the popularity of Levi Strauss’s blue denim jeans. The natural extraction process was expensive and could not produce the mass quantities required for the burgeoning garment industry. So chemists began searching for synthetic methods of producing the dye. In 1883 Adolf von Baeyer (of Baeyer aspirin fame) researched indigo’s chemical structure. He found that he could treat omega-bromoacetanilide with an alkali (a substance that is high in pH) to produce oxindole. Later, based on this observation, K. Heumann identified a synthesis pathway to produce indigo. Within 14 years their work resulted in the first commercial production of the synthetic dye. In 1905 Baeyer was awarded the Nobel Prize for his discovery.

    At the end of the 1990s, the German based company BASF AG was the world’s leading producer, accounting for nearly 50% of all indigo dyestuffs sold. In recent years, the synthetic process used to produce indigo has come under scrutiny because of the harsh chemicals involved. New, more environmentally responsible methods are being sought by manufacturers.

    Raw Materials

    The raw materials used in the natural production of indigo are leaves from a variety of plant species including indigo, woad, and polygonum. Only the leaves are used since they contain the greatest concentration of dye molecules. In the synthetic process, a number of chemicals are employed as described below.

    SOURCES AND USES: –

    A variety of plants, including woad, have provided indigo throughout history, but most natural indigo is obtained from those in the genus Indigofera, which are native to the tropics. In temperate climates indigo can also be obtained from woad (Isatis tinctoria) and dyer’s knotweed (Polygonum tinctorum), although the Indigofera species yield more dye. The primary commercial indigo species in Asia was true indigo (Indigofera tinctoria, also known as Indigofera sumatrana). In Central and South America the two species Indigofera suffructicosa and Indigofera arrecta (Natal indigo) were the most important.

    Natural indigo was the only source of the dye until about 1900. Within a short time, however, synthetic indigo had almost completely superseded natural indigo, and today nearly all indigo produced is synthetic.

    In the United States, the primary use for indigo is as a dye for cotton work clothes and blue jeans. Over two billion pairs of jeans around the world are dyed blue with indigo. For many years indigo was used to produce deep navy blue colors on wool.

    Indigo does not bond strongly to the fiber, and wear and repeated washing may slowly remove the dye.

    Indigo is also used as a food coloring, and is listed as FD&C Blue No. 2. The specification for FD&C Blue No. 2 includes three substances, of which the major one is the sodium salt of Indigotindisulfonate.

    Indigotinesulfonate is also used as a dye in renal function testing, as a reagent for the detection of nitrates and chlorates and in the testing of milk.

    clip_image002INDIGO MOLECULE

    CHEMICAL PROPERTIES: –

    Indigo is a dark blue crystalline powder that melts at 390°–392°C. It is insoluble in water, alcohol, or ether but soluble in chloroform, nitrobenzene, or concentrated sulfuric acid. The chemical structure of indigo corresponds to the formula C16H10N2O2.

    The naturally occurring substance is indican, which is colorless and soluble in water. Indican can easily be hydrolyzed to glucose and indoxyl. Mild oxidation, such as by exposure to air, converts indoxyl to indigo.

    The manufacturing process developed in the late 1800s is still in use throughout the world. In this process, indoxyl is synthesized by the fusion of sodium phenylglycinate in a mixture of sodium hydroxide and sodamide.

    Several simpler compounds can be produced by decomposing indigo; these compounds include aniline and picric acid. The only chemical reaction of practical importance is its reduction by urea to indigo white. The indigo white is reoxidized to indigo after it has been applied to the fabric.

    Indigo treated with sulfuric acid produces a blue-green color. It became available in the mid-1700s. Sulfonated indigo is also referred to as Saxon blue or indigo carmine.

    Tyrian purple was a valuable purple dye in antiquity. It was made from excretions of a common Mediterranean Sea snail. In 1909 its structure was shown to be 6,6′-dibromoindigo. It has never been produced synthetically on a commercial basis.

    clip_image004

    INDIGO CARMINE

    HOW THE DYE WAS PRODUCED IN INDIA 

    The cut plant is tied into bundles, which are then packed into the fermenting vats and covered with clear fresh water. The vats, which are usually made of brick lined with cement, have an area of about 400 square feet and are 3 feet deep, are arranged in two rows, the tops of the bottom or "beating vats" being generally on a level with the bottoms of the fermenting vats. The indigo plant is allowed to steep till the rapid fermentation, which quickly sets in, has almost ceased, the time required being from 10-15 hours. The liquor, which varies from a pale straw colour to a golden-yellow, is then run into the beaters, where it is agitated either by men entering the vats and beating with oars, or by machinery. The colour of the liquid becomes green, then blue, and, finally, the indigo separates out as flakes, and is precipitated to the bottom of the vats. The indigo is allowed to thoroughly settle, when the supernatant liquid is drawn off. The pulpy mass of indigo is then boiled with water for some hours to remove impurities, filtered through thick woollen or coarse canvas bags, then pressed to remove as much of the moisture as possible, after which it is cut into cubes and finally air-dried Nature 1 November 1900

    Indigo dye is an important dyestuff with a distinctive blue color (see indigo). The natural dye comes from several species of plant, but nearly all indigo produced today is synthetic. Among other uses, it is used in the production of denim cloth for blue jeans. The form of indigo used in food is called "indigotine", and is listed as FD&C Blue No. 2.

    clip_image006

    PHYTOCHEMISTRY OF INDIGO

    Now just a bit of chemistry about how the compounds in plants are converted into indigo…

    clip_image008

    In Indigofera species, the precursor of indigo is indican 
    (left), indoxyl-β-D-glucopyranoside,

    While in woad it is mainly isatan A (right)

    clip_image010

    INDUSTRIAL SYNTHESIS OF INDIGO

    Current world production of indigo is 17,000 tons/year, mostly (40%) produced by BASF in Ludwigshafen. That is where things started in July 1897, using a process developed by von Heumann. It started with naphthalene…

    clip_image011clip_image012clip_image011[1]clip_image012[1]clip_image012[2]clip_image014clip_image016clip_image018clip_image020clip_image022clip_image024

    VAT DYES

    Vat dyes are used in the dyeing and printing of all types of cellulose fibres, and also of blends of cotton with polyester. In their coloured form they are insoluble pigments, so their applications depend on reversible reduction-oxidation (redox) reaction. In dye bath the pigment is converted into a water-soluble form using a strongly alkaline solution of a powerful reducing agent. This form the sodium “leuco” compound of the dye, which is soluble in water but often different in colour from the original in pigment. It is then allowed to dye the cellulose in this water-soluble from once exhaustion is completed the leuco compound is oxidized.

    REDOX REACTIONS

    Oxidation-reduction reactions (redox reaction) are important in textile colouration because they are an essential part of the process of the application of vat and sulphur dyes. In rather oversimplified terms, when a compound id oxidized it gain oxygen when something is reduced it loses oxygen. Reduction of a substance can also be thought of as gaining oxygen atoms, and oxidation as losing hydrogen atoms. For example when hydrogen reacts with oxygen to form water the hydrogen to become oxidized and the oxygen is reduced. In a redox reaction there is always a compound acting a reducing agent (hydrogen in this example). The reducing agents become oxidized the reaction by the compound that is being reduced, which is acting as an oxidizing agent. (In this case oxygen)

    clip_image025 NaOH Na+ + OH

    Sodium Sodium Hydroxide

    Hydroxide ion ion

    In the water molecule each hydrogen atom shares the only electron it possesses by pairing with one of the six electron of the oxygen atom, to form a covalent bond. Thus the hydrogen atom has lost one electron to become oxidized and the oxygen atom is reduced by gaining electrons. This is a more general way of expressing the phenomena of oxidation and reduction.

    Oxidation = entails the loss of electrons by the oxidized compound

    Reduction = entails the net gain of electrons by the reduced compound

    vat dyes such as indigo and compounds derived from anthrequinone are applied after the temporary reduction of two carboxyl group in a conjugated chain, this convert the dye in to a colorless water insoluble form. The conversion is carried out using a strong reducing agent and in this reaction the two oxygen atom becomes reduced –O – and the two hydrogen atoms are oxidized to H+. The reduced form is called the leuco vat acid, and is applied from an alkaline. Once on the fibre it can be re -oxidized back to the insoluble carbonyl form by air or by the use of an oxidizing agent.

    Sulphur dyes are also applied using a redox reaction mechanism, in which sodium sulphide is used as the reducing agent,

    CHEMICAL NATURE OF VAT DYES

    A large majority of vat dyes are based on the anthraquinonoid or the indigo (or thioindigo) chromophores; indigo, one of the oldest dyes still in use, remains popular through the wide use of indigo-dyed anthrequinone dyes are complex polycyclic quinines (Appendix 1), and they all possess two carbonyl groups (C = O) linked by alternate single and double bonds in a conjugated chain. The molecular arrangement is responsible for the easily reversible redox reactions on which the application of vat dyes depends.

    In earlier countries, when all textile colorants where obtained from natural sources, indigo plant is steeped in a large vat. It is forming this ancient vatting process that the term fermentation vat dyes are derived. Fermentation converts one of the plant constituents into the soluble leuco dye, which diffuses out of the plant. The replacement of the natural by synthetic indigo at the end of the nineteenth century gave the imputes to research on other syntheses vat dyes have since followed.

    Synthetic vat dyes are costly because they are difficult to prepare, so their use is usually directed to the higher quality fabrics. Nevertheless, they are widely used and noted for their high fastness to light, in the dyeing of fabric for uses such as awning, curtains, upholstery, military and naval uniforms and high quality gabardines.

    High fastness to bleaching is another strong point of the anthraquinonoid group. This is exploited in the production of patterned fabric from vat-dyed yarn in which the white areas of the can be safely bleached out after weaving.

    Anthraquinonoid vat dyes are widely used in the manufacturer of for example good quality, shirting’s, table cloths, towels, sportswear, high quality over all, fabrics of women and children clothing and tropical suiting, and yarns and effect threads where repeated washing will be required. With careful dye solution, the use of vat dyes allows is that the range lacks scarlet, maroon and wide shades.

    APPLICATION OF VAT DYES

    Both the extent of reduction and the rate at which equilibrium between the reduced and oxidized from is achieved are of practical significance. Vat dyes vary in the speed with which they go undergo reduction (Na2S2O4), which is capable of completely reducing even the most stable of vat dyes. As a result any difficulties in vatting can be over come by raising the vatting temperature, increasing the concentration of reducing agent or prolonging the vatting time. The vatted dyes must be kept in a strongly alkaline solution, because its leuco from is an insoluble acid. If instead of being formed as its water soluble salt, it will not readily oxidize to the coloured form.

    There are still some application methods in which reduction and adsorption in the fibre take place rapidly and almost simultaneously. Under those conditions the rate and extent of reduction can be decisive factors in the dye stuff choice for example, in textile printing. Premature oxidation of the leuco compound in his print paste must also be avoided during both storage and steaming. This condition is usually met by using as the reducing agent sodium formaldehyde sulphoxylate (Formosul) a compound that is fairly stable in air at room temperature and develops the necessary action during steaming.

    Variables such as pigment practical size and crystalline from can affect the rate of reduction but these are controlled by the dye manufacturing. Consequently the colourist needs to concentrate only on the temperature and the concentration of reducing agent.

    Leuco compounds can be applied by batch wise methods similar to those used for other dye classes, but there are difficulties in obtaining leveling dyeing. The necessary high concentration of sodium hydroxide and reducing agent affect the exhaustion. The difference is that the option of reducing the concentration of the addition is not available, because they are needed to form the leuco compound. Serious leveling problems can be lessened by raising the temperature of dyeing and then cooling to obtain satisfactory exhaustion, or by using a dye bath auxiliary that restrains the rate of exhaustion. A different approach is to use specially formulated to stable dispersion of the pigment, in which form they are evenly distributed on the fabric by padding (pigment padding), followed by working the padded fabric through a of caustic soda and sodium dithionite on a jig. Pre-pigmentation can be carried out using package, jig, winch or beam dyeing machines provided specially formulated vat dyes are used. Once the pigmentation is completed, sodium hydroxide and sodium dithionite are added to the dye bath to reduce the pigment and allow the leuco day salt to diffuse into the fibre.

    Oxidation in air or in solution is then used to regenerate the pigment. A soaping treatment is given to the fabric at the end of the dyeing process this is essential, both for cleaning the dyed fabric and for developing the final shade. In some cases a change in the crystalline form of dye accompanies the change in shade.

    SOLUBILISED VAT DYES

    The need to reduce vet dyes before use makes their application a cumbersome process. Although it is possible to isolate the reduced form of the dye. It is too readily oxidized in air for the manufacturer to provide the dyer with the leuco compounds. it is possible however to convert the leuco acid into the leuco ester, a derivative that has greater resistance to oxidation and grater solubility in water. Such ester can be formed by the reaction of a hydroxyl group of a leuco acid with sulphuric acid forming a sulphuric ester. The sodium salt of such esters are stable and can be stored until required for use. Since the ester group is only weakly attached to the rest of the dye molecule, it is easily removed by the action of sodium nitrate in dilute sulphuric acid. The regenerated leuco compound may then be oxidized back to the pigment form.

    Solubilised vat dyes are less rapidly taken up than are the more conventional vat dyes and are mainly used for the production of pale shade. As with ordinary vat dyes application under alkaline condition is essential, thus eliminating wool from the list of possible substrates because alkaline condition modifies the wool fibres. The low up take and higher cost of solubilised vat dyes make them uneconomical for deep shade however and for theses normal vat dyes alternative have to be used.

    A interesting property of solubilised vat yes is their sensitivity to light in the solubilised state. This is used to produce “photographic” print on fabric.

    clip_image026R – OH + H2S2O4 R – OH + H2S2O4 + H2O

    Leuco vat sulphuric sulphuric ester

    Dyes acid

    SULPHUR DYES

    Deposition of insoluble pigments inside fibres may achieve more cheaply using sulphur dyes. But with these the shade gamut is restricted to back, mauves, olives, Bordeaux and reddish-browns. One of the earliest and best known sulphur dyes is Cl sulphur black 1, which is popular black with good fastness properties still in use today.

    Like vat dyes, sulphur dyes are reduced and applied as soluble leuco compounds that need to be kept under alkaline condition, but sulphur dyes need only sodium sulphide to act as both alkaline and reducing agent. A simplified the version of the reaction is represented in following equation. The structure of the chromophores of sulphur dyes is complex and unknown. Again like vat dyes, these dyes can not be applied to wool without damage to the fibres due to the action of sodium sulphide on the cystine cross links. After exhausting the dye bath for approximately 1 hour at 60-90Co the fabric is thoroughly rinsed and exposed to the atmosphere, where oxidation generates the mechanically entrapped insoluble pigment.

    One disadvantages of certain sulphur dyes (although, strangely, this problems appears to arise with the black shade only) is that dyed material stored under condition of high humidity and temperature can lose its nature strength. This is because inadequate washing-off after dyeing can lead to the slow generation of sulphuric acid in the fibre, arising from the presence of sulphur.

    Sulphur dyes are used mainly in the dyeing of cellulose fabrics and in blend of cellulose with polyester, nylon and acrylic fibres. Typical application is for heavy drill fabrics. Corduroys, overalls, denim, awning and canvas. Limited quantities are also consumed in the colouration of silk, paper and more widely, leather.

    clip_image026[1]Ar’ – S – S- Ar’ Reduction with Na2S Ar’ – S – S- Ar’

    About the author: Adnan is a textile engineer and working with a reputed denim garment company in Pakistan.He is looking after new denim developments.

  • Merry Christmas And Happy New Year

    Wishing all our readers a Merry Christmas and A Very Happy New Year..

    May this New Year be full of Health, Happiness and Success for you and your family.

     

    Check out some quick links to do some great shopping this festival season:

    1. Denim Deals: Madewell, Serfontaine, William Rast, Paper Denim & Cloth

    2. Paper, Denim &Cloth Sale

    3. Hot Deal of the Day: Denim Sale at Couture Candy

     

    Once again – Happy Christmas and A Great New Year …

  • Indigo Dyeing – Various Methods Explained And Compared

    The indigo dyeing and processing methods -currently used – for dyeing indigo warps were introduced from 1978- 1987 to obtain a higher productivity and savings in dyeing or to achieve the required darker shades (hard rock washing, super blue, soft denim), or softness of the yarn for final finishing. The following table gives you a comparison of the possible processing stages such as:

    1- Indigo rope dyeing process

    2- Indigo one sheet dye slashing

    3- Indigo double sheet dyeing

    4- Loop dye 1 for 6 (continuous dye slashing)

    5- Loop dye 1 for 6 with dyemer (continuous mercerization dyeing and sizing).

    For the five major Indigo dyeing methods for the basic denim, super blue denim, soft denim, stone wash denim, we also must take into consideration that a certain appearance of the garments is only achieved after a certain washing method. (Chemical washing, stone washing, hard rock washing), use of certain sizing agents (soft denim) or irregular appearance in warp or weft direction by using a yarn with slubs and neps (antic denim).

    The final finishing methods have influence on fabric construction and dyeing methods.

    CHEMICAL WASHED DENIM

    The creator of snow wash denim or of f-side denim is Edwin Co. Limited Japan. These chemical washed types of ready made garments show less tensile strength and a harder hand.

    STONE WASHING

    With soft stones it takes 20 – 30 min. to achieve the desire surface appearance.

    DRY BLEACH

    Soft rock are socked with chloride and the garment treated in washing machines.

    HARD STONE WASHING

    Treatment takes approx. 3 – 4 hours. A very soft hand the garments is achieved. Due to the extended time of treatment in washing with hard rocks the strength of fabric is influenced. This treatment requires improved yarn quality and deeper dyed shades. Hard stone washing fades out partly at hems and stitched lines.

    SUPER BLUE

    Deepness shade is achieved by dyeing in 8 – 12 dye boxes with rope dyeing methods. With mercerized yarn where the colour stays at the surface of the yarn (ring dyeing) with continuous loop dye range with integrated mercerizing and dyeing unit (dyemer).

    BLACK DENIM

    Sulfur dyed, padazoic dyed etc. on continuous dyeing sizing machines or loop dye ranges.

    INDIGO DYESTUFF AND ITS CHARATERISTICS

    Indigo has despite many other blue dyestuffs kept its popularity. This by no doubt is achieved by the fact that Indigo has a number of properties which have in this combination not yet been achieved by other single dyestuffs.

    The main properties are:

    • Pleasant colour shade.
    • Possibility to achieve by simple repeated dipping, deep marine blue shade.
    • Possibility to dye cotton in cold dye bath.
    • Competitive in price.
    • Possibility to achieve an acceptable colour fastness and the exceptional advantage by repeated washing of fading colour, to keep the colour shade that always a clear, pleasant blue shade result.

    The following drawing shows the symbolic  built-up of dye stuff of the yarn according to the multi-deep process.

    indigo dye denimThe sketch shows how Indigo layers one after the other are placed on the surface of the yarn then again scraped off, similar to knife through force or tension or by washing.

    An Indigo has only a very low affinity and the depth of colour of the fibre is achieved by repeated dipping / oxidation. Each dipping cycle occur in a certain balanced manner as dye stuff is observed by the fibre at the same time and part of the already oxidized dye stuff is reduced and migrates from the fibres.

    indigo dye denim

    With increasing dipping operations , the  balance of absorption / migration moves towards migration.

    A very important factor for the reduction of migration is the squeezing effect and the oxidation which follows. A high squeezing effect promotes a quick and thorough oxidation and reduces the migration and reduction in the following bye bath.

    With the low squeezing effect ie  with high liquid absorption, the purely visual impression of a good oxidation can be deceptive as the outer colour skin looks blue. In the core of the thread however  less vat dye stuff may be deposited

    indigo denim dye image

    Let us have a close look at the different dyeing systems.

    CONVENTIONAL CLASSICAL CONTINUOUS INDIGO ROPE DYEING

    The classical rope dyeing system is very labor intensive and consists of:

    • Ball warping
    • Indigo dyeing
    • Rebeaming on long- chain-beamer
    • Sizing

    Yarn from the ring spinning machine is wound on automatic winding machines on to a suitable package either cylindrical or 5057 cone. The winders are directly linked to the ring spinning frames and the cops joint by splicing. OE yarns are directly creeled up on the Ball warper.

    The required No. of ends (usually 380 – 420 ends) are assembled into a rope. These ends are wound onto a core. The rope is guided similar as a cross wound package and wound into a ball, length of ball approx. 12 – 15.000 meters.

    A lease is inserted at the start and end of the rope. The facilitate Rebeaming every 1000 meters an additional lease is inserted. Usually 18 – 24 ropes are simultaneously process on the rope dyeing machine. Prior to dyeing, the ropes are boiled out and treated with caustic-soda and wetting agent to remove from the cotton oil, impurities which could influence the fastness for the dye.

    To dye with indigo, the ropes are immersed into the dye-bath. To dye in rope 30 – 60 seconds immersion (20 meters yarn) and 60 – 180 seconds are required for the oxidation of the Indigo dyestuff to ensure that also ends in the centre of the rope are equally dyed. Please note that squeezing pressure is important- 5 tons- as fastness of colour and shade depends on even squeezing pressure. The comparatively long immersion and oxidation time requires a comparatively expensive equipment of machinery.

    In order to obtain the required deep shade of blue colour the ropes are  immersed 5 – 6 times in a sequence of dye boxes with an oxidation range – so called skying – after each dye box. (Indigo belongs to the group of the vat dyes which is water-soluble in reduced solution and becomes an insoluble pigment when oxidized.

    ROPE DYEING PROCESS

    Having passed the dyeing and oxidation rage the ropes are guided through 2 or 3 washing boxes to wash off excessive dye .In the last box softener are added to ease the opening of the ropes. They are dried in a series of cans. The dried ropes which contain 380 – 420 ends are then deposited into large coilers .Rebeaming with 300 – 380 ends per rope is easier. These coilers are placed behind the long chain beamer where the Rebeaming and opening of the ropes takes place. In order to guarantee even yarn tension through Rebeaming on to a back beam ready for sizing the ropes are guided over a tension device which is placed approx.  10 -11 meters distance from the long chain beamer. Broken ends which very really happen during process of the rope dyeing are repaired at this process stage. Initially these machines were supplied without yarn stop motion but are available now a days on special request. This is of major importance as lost ends, fluff, 3 – tail ends and yarn remnants can cause inferior performance in weaving.

    The so prepared beck beams are now sized in a sizing machine preferably with 2 size boxes. The size pick up varies between 8 – 10%. In Europe mainly modified starches with binders are used, whilst in USA certain low % of PVA is applied in combination with starches by some companies. Depending on the final finishing process (washed denim) with no filler also CMC gives excellent performance in weaving. Special size mixes for soft denim will be discussed separately. We recommend however not to use PVA for sizing of denim as a surface of denim may show a leather skinned appearance.

    CONTINUOUS SLASHER DYEING SYSTEM

    Contrary to the Indigo rope dyeing system, for the continuous slasher dyeing and sizing back beams are used. That means that the total No of ends required for a weavers beam are dyed, dried, sized and dried simultaneously. The back beam contains similar to rope 380 – 420 ends but distributed evenly over the width of 140 or 160 cm between the flanges so the end lay parallel to each other, warp length 12 – 15.000 meters, similar to the rope dyeing system the full No of ends are pretreated (washed) dyed in 4 dye boxes and oxidized, no softener are used in the last wash box.

    CONTINUOUS INDIGO DYEING AND SIZING PROCESS

    SLASHER DYEING

    We must however consider that the squeezing effect is lower and therefore the danger of streakiness and shade variation from centre to out side is also higher. Consequently it would be better to reduce the warping width rather to 140 cm instead of using warper beams with 160 – 180 cm warping width.

    The immersion time in the dye boxes is approx. 10 – 15 seconds and time for oxidation 30 – 60 second. The final result is a weaver’s beam. This system allows the installation of less expensive dye rage and less additional preparatory machinery.

    One of the disadvantages previously when warp preparation (knots, weak, thick places) was not kept at a very high level was that ends sown in the dyeing range could cause major color variation through machine stops.

    DOUBLE SHEET CONTINUOUS DYEING

    Patents applied for double shade dyeing by E. Godau date back as 1976. With the system dyeing sizing is done in 2 operations. The main reason for dyeing of 2 sheet simultaneously is achieved a more even dyed sheet, that means 8000 – 8200 end are dyed, oxidized, dried and the full length of the warper beam 12.000 – 15.000 meters flange diameter. These beams are transported with the aid of air cushions to the sizing machine and the yarn sheet sized in double size boxes. Immersion time and oxidation time is the same as with continuous slasher dyeing.

    Indigo full-width warping process

    double sheet dyeing process

    With double sheet dyeing the linear warp thread density is doubled. Therefore:

    • Squeezing effect is increased,
    • An even squeezing over the whole width is achieved,
    • Condensation and concentration of ends at one spot show compared to single sheet dyeing no colour strips formation, streakiness or shading in the finished fabric.
    • The production out put of the dyeing is increased by 75%.
    • Dyeing of 3 layers of yarn simultaneously is possible but very difficult to control the beaming on 3 big warp batches.

    Unfortunately the double sheet dyeing machine as well as the rope dyeing range cannot be linked with a sizing machine which must be regarded as disadvantage as the processes of dyeing and sizing must be carried out separately.

    Loop dye system 1 for 6

    Similar to the sheet dyeing systems 10 – 16 warper beams with the total number of ends required for the weaver beams are used. The warper beams are placed in a moveable warp creel which can be loaded whilst one set is in potation.

    loop dyeing process

    The yarn sheet is guided to the soaking bath through a feed-in system with tension compensation rollers. The soaking bath has the task to prepare the yarn for the following dyeing operation.

    The yarn sheet after having been immersed into a single indigo dye bath runs into a long loop where oxidation takes place. As you can see from the slide the back beams are inside the yarn sheet passes through the dye box as often as necessary to obtain the required deepness of shade. One of the advantages is:

    Ideal, utilization of Hydrosulphite through squeezing 4 – 6 layers simultaneously and oxidation of yarn in a comparatively long oxidation loop. After the oxidation the yarn sheet is guided through 2 washing boxes into a yarn accumulator and finally on to a series of drying cans, dried up to 25 – 30% final moisture content prior being immersed into size boxes, dried and wound onto a weavers beam.

    loop dyeing system

    The molecules are controlled DC drive to maintain warp tensions. Temperatures are automatically controlled as well as the PH value in the dye box. The automatic control unit of the PH value supplies automatically hydrosulfite and caustic soda to stabilize the present value from the start to end of a dye set.

    All rollers arein  contact with the dyed sheet are fluted, they keep the sheet in position and reduce deposit of dye and build-up of other deposit (fluff). In addition to width is controlled by guides to ensure even distribution of the yarn layer over the whole width of the dyed sheet.

    All accumulators placed between washing boxes and drying cans guarantees a continuous production of the dye range when a weaver beam has to be exchanged at the head stock.

    The creels can be loaded with back beam with 1200 mm diameter which allows to warp approx. 36.800 meters of yarn, count No 7, 5 (tex 78) or 50.000 m count No 10 (tex 60). This means that depending on the count normally one cyl-spool is used in warping to fill a warper beam.

    WARPING SPEED

    PRODUCTION

    Speed varies between 1000 m/min, 35 m/min. No 5, 5 (tex 107) and 42 m/min. No 10 (tex 60)

    MACHINE STOPS DURING SIZING

    For 36800 m, 4 recorded on expansion comb.

    WASTE OF MATERIAL

    Approx. 15-20 kg per set.

    TIME REQUIRED FOR CHANGE OF SET

    2 hour

    Linear warp densities in the squeeze.

    The linear density in the nip is calculated in the same manner as for sizing.

    Q= linear thread density

    F= ends in cm -1

    D= diameter of yarn

    clip_image016clip_image017clip_image016[1]D= 0,921 mm = 0,921 = 0, 29125

    clip_image018clip_image017[1]clip_image018[1] Nm 10 = 3.1622

    Q= F x D

    As already mentioned previously the warp density has an influence on colour fastness. A higher squeezing effect is achieved due to the over laying of the watp ends this also gives more side to side squeezing, therefore reduce strips formation. The high squeezing effect results also in better, quicker and proper oxidation and better colour fastness.

    It must be mentioned that recommended dip and oxidation times on warp dyeing ranges are of little use if not the squeezing effect is taken into consideration. Under a given squeeze pressure, for instance 500 kg the squeezing effect of the mentioned 4- dyeing systems can be compared. We can see that similar squeezing effect can be achieved with the loop dyeing system 1 for 6 (75%) as with rope dyeing 70 – 110%. Double dyeing with 2 layers width with 150 cm gives approx. 80% squeezing effect, whilst single sheet slasher dyeing varies depending on count between 100 – 130%.

    Loop dye 1 for 6 Rope-dyeing Slasher-dyeing

    clip_image020

    As only one short indigo dye bath is deeded only one feeding tanks, no separate feeding of chemicals is necessary.

    Dye liquor is use in 1500 1 instead of 6-4500 1, therefore less chemicals are in  use at same time.

    • Lowe power consumption.
    • Fine counts can be dyed as well (No 30)
    • For dark shades, black shades or other shades needed by fashion, other indanthrene dye stuff can be directly added into the indigo dye bath (indanthrene yellow or orange).

    LOOP DYE 1 FOR 6 COMBINED WITH DYEMER

    The demand for dark shades specially dark marine blue for super blue denims also led to new ideas in indigo dyeing ranges have been increased between 8-15 dye boxes with corresponding oxidation ranges.

    loop dye system

    In some cases Hydroxyaceton has been specially treated with high frequency. Besides achieving a darker shaded with the desire greenish touch it is very suitable for biological treatment.

    In order to achieve ring dyeing, mercerized yarn has also been used. Mercerizing prevents penetration of dye stuff into the inner code it is suitable for this purpose to obtain an optical blue effect and superior colour fastness and behavior in washing. Mercerizing is very costly, therefore new ways in continuous mercerizing and indigo dyeing was found.

    DYEMER

    The dyemer range is integrated.

    For impregnation padder for hot caustic solution is placed after the heating system. The yarn is guided over cold cylinders and with an adjustable roller the tension of the yarn sheet can be adjusted according to the required tension prior to the scouring in 2 more boxes.

    After having passed this, the yarn sheet is immersed into the dye box and the same process as with the loop dye method is repeated.

    CONTINUOUS DYEING AND SIZING ON THE DYEMER RANGE

    dyemer range

    If fashion needs other colours than indigo blue it is comparatively simply to dye and size on this range.

    Slasher Dyeing Vs Rope Dyeing – A comparison

    Comparison On Slasher Dyeing Rope Dyeing
    Required Space Less More
    Mercerizing Easy Difficult
    Manpower Less More
    Dye bath Less capacity More
    Yarn Can use Ne 1-30 without major change Can use Ne1-16 without major change
    Flexibility Flexibility to produce denim in different colors and small quantities Less flexible. Difficult to change colors.
    Cost Cost of production is lesser compared to Rope Dyeing Cost of production is more compared to Rope Dyeing

    About the author: Adnan is a textile engineer and working with a reputed denim mill in Pakistan.He is looking after new denim developments.

  • Interesting Denim Video

    Check out this video by Put This On – showing an interview with the Rising Sun Jeans – producer of vintage denim -  and get answers to  some common denim related consumer questions..

    Note:You can see it online only..

  • Vintage Denim – At What Cost To Environment ?

    image

    Readymade garment sector is booming world wide & specially in 3rd world countries, and garment processing has emerged as one of the important production routes towards meeting quick changing demands of the fashion market. In this article we look at processing of denim garments & its impact on environment.

    Brands seeking to improve their environmental credentials can look beyond the use of organic cotton to a range of new products and technologies that lower the levels of chemicals, stones residue, rivets, buttons, hand tags, water and energy needed to manufacture denim fabric & garments.

    The spread of denim culture, all over the world brought with it a trend of fast changing fashions. One after another, several washes were introduced such as stone wash, acid wash, moonwash, monkey wash, show wash, frosted wash, white wash, mud wash, distressed wash etc. Over the last 6-8 years, India has probably seen the most dramatic and exciting changes in the washing of denim garments.
    Although the denim industry has long been known to be resource intensive, a full picture wasn’t known publicly until Levi Strauss & Co. shared results of its life cycle assessment on what went into making one pair of its iconic Levi’s 501 style. 
    Examining the 2006 production year for jeans headed to the U.S. market, Levi’s found that making one pair of 501s required almost 920 gallons of water, 400 mega joules of energy and expelled 32 kilograms of carbon dioxide. Levi’s said this was equivalent to running a garden hose for 106 minutes, driving 78 miles and powering a computer for 556 hours. 

    Faded, ripped scrunched and ‘distressed’ to the ultimate degree are very costly denim garments for well-known brands cost USD 100 plus for a pair! However, hot this distressed denim might appear on the runway there is an more depressing tale to tell apart from the overpricing, regarding the production of denim in general and the techniques and practices employed in the stonewashing and distressing process with various chemicals.

    There are huge ecological and ethical concerns as this business is an enormous affair. To give an example , more than 520 million pairs of jeans are sold in USA alone each year. The majority of which will have been coloured with dyes, acid bathed, sandblasted and chemically doused to give the aged , worn in look we all so desire.

    • The life cycle of denim starts with the cotton boll, amid the vast cotton crops recorded as covering 2.4% of the world’s farm land. If not organically grown the valuable crops will be drenched in toxic pesticides to protect them from insects and weeds. Organophosphates are used which are poisonous and ultimately pass into the soil and reek havoc with wildlife.
    • Cotton fibres are spun into yarn and the denim yarn is "sized" using starch to give it strength and "mercerized" in caustic soda. Starch is biodegradable but if released into the rivers the microbes that devour it also consume the oxygen. This in turn kills off the aquatic life in the water as does the toxic caustic soda.
    • Other shocking facts are that it takes 1,500 gallons of water to produce 1.5 lbs of cotton needed to make one pair of jeans.
    • To achieve the correct blue shade, the denim in doused in vats of synthetic indigo. Environmental regulations are not upheld in many developing countries. Apart from the initial dyeing the stone washing or distressing of the denim is achieved by repeated washing and rinsing and bleaching, chemical blasting with such toxic substances such silica, dye stripped or bleached with potassium permanganate. All toxic to wildlife if let into the waterways and to the workers who breathe it in.
    • Very recently we came to know similar situation of untreated water was going in to rivers & waste was spread every where on streets in Lesotho. Worldwide many water sources and land are affected by untreated water from Laundries & Denim plants.

    Is Anything Can Be Or Being Done To Control The Damage

    1. There are  many up and coming companies producing friendly denim using organic cotton and more eco friendly ways of distressing the fabric, such as using ozone to fade the denim It is the responsibility of the consumer to search these enlightened businesses out by checking for labels such as Fair Trade and Global Organic Standard certification and the Recycling logo.
    2. Some designers have solved the problem in another way by recycling old denim, naturally aged and worn by time, and re-styled and modelled it into new and inventive fashion designs. Denim seems to be an ongoing favorites on the fashion scene and as such needs to clean up its act totally to keep in step with the environmental and ethical requirements that are so rightly being put into place as a global fashion and textile effort.
    3. There are many eco friendly ways being introduced & keep coming. Reducing chemicals consumption and Stone usages , Enzymes being introduced in each process step.. desizing , Abrasion & now its being used bleaching enzymes also…. these are bio degradable products hence eco friendly. At fabric front Denim Mills started producing quicker wash down denim to have faster distress look with minimum efforts & usage of chemicals.
    4. Many chemical companies making their products keeping in mind the Global Restricted substances of toxic chemicals to produce environment friendly products. All most all leading brands started critical testing’s of their merchandise through third party testing for these banned chemicals.A large chemical company – Clariant – recently introduced a product – Advanced Denim – which it claims water usage by 60% during wash process.
    5. Recently one of the leading innovation company Jeanologia has Launched water free bleaching process machine, which works on OZONE called G2 technology , that produces various shades of denim using air technology as opposed to water and chemicals. According to the article, Jeanologia, the owner of the G2, estimates that if every company were to adopt their machine, the amount of water saved could supply the entire country of Spain with clean drinking water for 8 months. This machines saves water & energy both and has no impact on environment. clip_image001
    6. Buildinggreen.com is using denim waste to create cotton insulation products
      image 

    However, these steps are far few and make hardly any impact. It is only when the governments the world over realize the impact of denim that we will see real innovations towards creating products which will help in reduction of the same.

    About the Author : 3E’s Consultants, Group of experts, focused on Denim Fashion, Providing consultancy to all Denim Garments Finishers..Contact for further info : email here

  • Some Great Uses Of Denim Fabrics

    We know that denim is used for making jeans, jackets, trousers and many other things. However, denim is so versatile that even the most obscure and remote product can be designed with denim or at least with a  denim look  . Here  are some very interesting products which have been made from denim fabrics that I could find .

    1.Denim Helmet

    denim helmets 

    2.Denim Wedding & Other Dresses

    denim wedding dress

    denim wedding dress

    denim wedding dress 

    3.Denim Coat For Dogs And Pets

    denim dress for dogs

    4.Even A Denim Toilet Seat !

    denim toilet seat

    Actually this is just a denim design on the seat  🙂 .

    5. Denim Underwears, Bikinis and Bras !

    denim bikini  jeans

    denim underwear

    denim bra

    6.Denim Sarees

    denim saree

    7.Denim Curtains

    denim curtains

    8.Denim Car Seat Covers

    denim car seat cover

    9.Denim Body Suit

    denim suit

    10. Denim Face Mask

    Face cover denim

    11.Denim Iphone Case (Mobile Case)

    mobile case denim

    12. Celebrities in ALL DENIM ATTIRES

    britney spears denim jeans

    13.Denim Insulation

    image

    And last but not the least – An ALL DENIM FAMILY

    denim family

    Some images via Listicles 

    Know of a better denim usage ? Mention in comments ..

  • Acid Washes On Denim Jeans

     

    acid wash denim jeans acid wash denim jeans

    Acid wash is again becoming popular on denim jeans and we are going to see more of acid washes in the coming seasons. Here , lets have a quick look at the acid washing process .

    An acid wash finish treatment creates significant contrasts in the color of the denim material. It can be done on Indigo & Sulphur base fabric garments. As the randomly faded, acid washed style came into vogue in 1980s, the process of treating denim in such a way began to become increasingly refined. Some tried to use a method similar to the stonewashing, yet the fading did not occur as dramatically or throughout the material.

    In 1980’s this washed being launched as first innovative finish on denim ever. This was being done by soaking stones in Bleach and making acid wash effect followed by neutralization. But this process was not so re find to get some how consistent & smooth effect on denim. In early 2000 some laundry tried doing the same wash soaking thermocol bolls in bleach or pp solution to get this desired effect.

    While this process can be done using either light bleach, chlorine , potassium permanganate etc. The most popular is PP Bleach and will produce the best acid washed results. Doing the process is very simple , but following all parameters in correct way to have right & repeatable results. The load size of garments, machine drum diameter, quantity of soaked stone / towels & skilled operator.

    Initially, the Acid Wash process involved soaking pumice in Industrial Strength Chlorine .However, it was discovered that potassium permanganate was more controllable and just as strong an oxidizer. They simply marinated pumice stone in it and then vacuum packed the stone to the required moisture level. Acid wash was a chemical process on  denim that stripped the top layer of color off to a white surface with the undertones of navy blue remaining in the jeans.

    The Materials

    The process of acid washing jeans involves porous pumice stones or small towel pieces and chlorine or Pp Bleach, such as you would put into a bucket or in drum for soaking process. Sodium-bisulfate is used in the second washing for Neutralization. Also recommended is access to two separate washing machines. One for Acid Washing & another one for further process i.e. Neutralization etc.

    The Acid Washing Process On Denim Jeans

    The process of acid washing jeans used chemicals, stripping off the color of the top layer, leaving the white fabric exposed. The color remained in the lower layers of the material, giving it a faded look. Acid washing could be done overall or made to look splotchy.

    pumice stones for acid wash jeans acid wash denim jeans process

    1.Soak porous pumice rocks or pieces of towels in chlorine or PP bleach solution for about 20 minutes to an hour. The longer you soak the pumice or towel, the more prominent the effects will be.

    2.Once the stones are saturated with chlorine/pp, remove excess water from stones/towel then put the stones in machine followed by the jeans in a washing machine for about 20 minutes. Make sure machine do not have single drop of water, open the drain during complete process

    3.At this time, check on the jeans to ensure they look acceptable, and then move them to another washing machine for a regular washing process. Too long in the first machine can totally bleach or ruin the jeans, and too little time may not produce the desired results or can make patchy appearance. Check on the jeans once every 10 minutes or so during the second wash process of neutralisation to ensure the desired look is achieved.

    4.Next, fully dry the jeans in a dryer that gets nice and hot.

    Precautions

    Any time we mess with chemicals such as bleach or chlorine or PP, be sure to protect workers by wearing mask & aprons , so it is best to be fully prepared. Also, protective rubber gloves and safety glasses are highly recommended. These products can burn skin and eyes pretty badly.

    About Author : 3E’s Consultants, Group of experts, focused on Denim Fashion, Providing consultancy to all Denim Garments Finishers..Contact for further info email here

  • Whiskering Inconsistency On Jeans – A Solution

    Whiskering inconsistency is a regular problem in denim jeans production . It requires highly skilled workers to create the right kind of whiskers consistently.
    However, even with the highest levels of consistency, the element of uncertainty remains and whiskers may not be uniform across the  entire production .

    Modul SRL of Italy has devised moulds for jeans which it claims can provide a very high level of consistency by providing inbuilt whiskers on its moulds. This enables the worker to just scrape normally on the jeans and the whiskers appear uniformly without the effort on the part of the worker to create the same and the whole whiskering and hand sanding process is complete within 4 minutes.The company claims to be the only producer in the world of a technology to replicate the vintage look that they sell to contractors around the world and big denim producers .

    How do these whisker moulds work ?

    Take a look at this video first to understand how this mould system works

     

    As you can see from the video above, the worker scrapes normally on the jeans put on the Modus Moulds and whiskering appears itself in a predetermined pattern. Thus the whiskering can be done by a relatively inexperienced worker also.

    These moulds look quite interesting if they perform consistently. However, the cost of these moulds may be an issue as they are not cheap .

    How Can A Jeans Factory Use These Moulds

    • A factory needs to buy at least 5 moulds to start using this system and since each mould costs around Euro 700, an investment of about 3,500 Euros is required to make a beginning.
    • All moulds are expandable to three sizes – small ,medium and large.
    • Each mould lasts 5000-7000 inflations – though it depends on the skill of the operator.
    • Each mould can produce only one whisker pattern. If the client needs to recreate any whisker pattern (from any jeans eg) , Modus can recreate the mould for the same and ship to the client within 1-2 weeks.
    • The company also provides protos moulds prized at Euro 370 which can be used for sampling purposes.

    Here are some whiskers patterns created using these moulds

    whiskers on denim jeans

    whiskers on denim jeans

    whiskers on denim jeans

    whiskers on denim jeans

     

    Note:Modus has also designed a denim brand Onvis using this concept. ONVIS is a project which tells true stories . They  are offering raw denim jeans – BLUEVIRGINS– and asking consumers to live them everyday by (ab)using them as much as possible. Once daily life has left it’s traces on the denim (ususally within 6months – 1 year without washing !) Onvis encourages consumers to send used pair of BLUEVIRGINs back to be evaluated and to be chosen and replicated for one of our next ‘TRUESTORIES’ limited edition (up tp 5.000 pieces). The respective life storyteller will get paid a royalty of 1,00 Euro per piece on the collection’s effectives sales (max. 5,000,- Euro) and will be portrayed on their website.